"Gay... Indeed, all of God and will return to NYA," said a Muslim origin of Indonesia when reading the Arabic writing was advised in the nisan stone held in the building "Quanzhou Islamic Culture Exhibit".
"Quanzhou Islamic Culture Exhibit" is part of "Quanzhou Maritime Museum" as a cultural reserve of cagar objects as a special exhibition of Islamic history in China in the past.
Hundreds of stones contain timegraphy thighs appearing in the room of the building. According to the visitor, the Arab writing is the character of the verses of Alquran and the Prophet Muhammad SAW.
Visitors in Quanzhou Islamic cultural museum.
The traditional boat replica used for Chinese sailings in the early days of maritime procurement.
Sun Wan Lin’s museum officer, explaining hundreds of nisan-shaped stones and the puing of the building is the findings when the Fujian Provincial Government unpacked the ancient walls of Quanzhou City. The historical objects were saved and stored in museums built in 1991.
From the historical records of Fujian Province and based on the objects found that, according to him, the spread of Islam to the State of Panda was estimated at the 618-626 Masehi rate, namely in the reign of the Tang Dynasty.
The time mentioned there are four messengers of Prophet Muhammad SAW who are luxury to China, namely a messenger in Guangzhou, a messenger in Yangzhou and two messengers in Quanzhou.
The visitor saw the denah of buildings and walls in Quanzhou city in the first time.
The visitor sees the writing, the nisan stone and the puing of the building contains the thighs of timesgraphy.
In Quanzhou two Islamic religious narrations to death there. From the second tomb of the Prophet Muhammad SAW messenger and his replica can show both buried in adjacent positions.
Meanwhile, the development of Islamic civilization in Quanzhou is widely described in the form of paintings diorama, replicas, proof of photos of the tomb and timegraphy in the museum.
Diorama also illustrates the culture of people who are full of tolerance and respect. Quanzhou and its culture is expected to have been around since the III century and already has administrative cities since 260 Masehi.
The visitor saw the puing stone of the building contains a chisel of caligraphy.
The visitor sees diorama of life in China when it starts trading with other countries.
One painting diorama depicts two people above the boat in a dock with its distinctive traditional clothing respects to two people fight and wear sorbants.
In addition to the evidence of the history of Islamic civilization in the museum there is also a variety of artifacts from Song Dynasty to Yuan Dynasty including objects that prove the inclusion of Christian and Hindu culture there.
In general, the trace of history stored in "Quanzhou Maritime Museum" is a picture of maritime culture, the vigor and heroic of bamboo curtains and their important role in building the Maritime Silk Line.
The visitor saw painting about maritime silk path.
The diorama paint tells the interaction of Chinese citizens with Muslims on the boat.
Photo and Text: Budhiana Nyoman
The statue of a Muslim with a thigh background that illustrates the Islamic civilization in China first time.
